Alias the Doctor
Alias the Doctor is a 1932 American pre-Code drama film directed by Michael Curtiz and Lloyd Bacon. The film is based on the play Kean by Alexandre Dumas, which itself is loosely inspired by the life of the famous English actor, Edmund Kean. The screenplay adaptation was penned by Rian James and James Seymour, with the story exploring themes of identity, ambition, and redemption.
Plot[edit | edit source]
The film follows the story of Stephan Brenner, a young man with a deep passion for medicine who, due to a past mistake, is unable to pursue his dream of becoming a doctor. His stepbrother, Karl Brenner, graduates from medical school but is killed in an accident shortly after. Stephan assumes Karl's identity and embarks on a successful medical career, living with the constant fear that his secret will be discovered. The situation becomes complicated when Stephan falls in love with a woman who respects him for his medical skills and noble character. The climax of the film addresses the moral and ethical dilemmas Stephan faces, ultimately leading him to make a decision that will change his life forever.
Cast[edit | edit source]
- Richard Barthelmess as Stephan Brenner / Karl Brenner
- Marian Marsh as Linda
- Norman Foster as Jerry
- Adrienne Dore as Frau Brenner
- Lucille La Verne as Mother Brenner
Production[edit | edit source]
The production of Alias the Doctor was a collaborative effort between directors Michael Curtiz and Lloyd Bacon, showcasing the versatility and depth of the Warner Bros. studio during the early 1930s. The film's narrative, dealing with the complexities of identity and the pursuit of one's true calling, was brought to life through the performances of a talented cast, led by Richard Barthelmess, who was known for his roles in films that often explored themes of sacrifice and redemption.
Reception[edit | edit source]
Upon its release, Alias the Doctor was met with positive reviews for its compelling story, direction, and performances, particularly that of Barthelmess. The film is considered a notable example of the pre-Code era, a period in Hollywood before the strict enforcement of the Motion Picture Production Code, which allowed for more mature and morally complex storytelling.
Legacy[edit | edit source]
While Alias the Doctor may not be as widely remembered as other films from the era, it remains an important piece of cinema history for its exploration of themes that were ahead of its time. The film's handling of identity, ethics in the medical profession, and personal redemption continues to resonate with audiences and scholars alike.
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Contributors: Prab R. Tumpati, MD