Chuck Jones
File:So Much for So Little.webm
American animator, director, and producer
Name | Chuck Jones |
Birth name | |
Birth date | 21, 1912 | September
Birth place | Spokane, Washington, U.S. |
Death date | February 22, 2002 | (aged 89)
Death place | Corona del Mar, California, U.S. |
Alma mater | |
Occupation | Animator, director, producer, screenwriter |
Years active | 1933–2000 |
Organization | |
Known for | |
Notable works | |
Spouse(s) | |
Website |
Charles Martin Jones (September 21, 1912 – February 22, 2002) was an American animator, director, and producer of animated films. He is best known for his work with Warner Bros. Cartoons on the Looney Tunes and Merrie Melodies series of shorts. Jones directed many classic animated films, including What's Opera, Doc? (1957), Duck Amuck (1953), and One Froggy Evening (1955).
Early life[edit | edit source]
Jones was born in Spokane, Washington, and later moved with his family to Los Angeles, California. He attended Chouinard Art Institute (now California Institute of the Arts), where he studied under prominent artists such as Frank Thomas and Ollie Johnston.
Career[edit | edit source]
Jones began his career in animation in 1933, working as a cel washer for Ub Iwerks. He joined Warner Bros. Cartoons in 1936, where he worked under directors such as Tex Avery and Bob Clampett. Jones quickly rose through the ranks, becoming a director in 1938.
During his tenure at Warner Bros., Jones created and developed several iconic characters, including Pepé Le Pew, Marvin the Martian, and Wile E. Coyote and the Road Runner. His work is characterized by its unique style, wit, and attention to detail.
In the 1960s, Jones directed the television adaptation of How the Grinch Stole Christmas! (1966), which has become a perennial holiday favorite. He also worked on the Tom and Jerry series for MGM and founded his own production company, Sib Tower 12 Productions.
Later years and legacy[edit | edit source]
Jones continued to work in animation into the 1990s, contributing to various projects and mentoring young animators. He received numerous awards throughout his career, including an Academy Award for his short film The Dot and the Line: A Romance in Lower Mathematics (1965).
Jones's influence on animation is profound, and his work continues to be celebrated for its creativity and innovation. He is remembered as one of the greatest animators in the history of the medium.
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