Harlem Renaissance

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Adelaide Hall and Bill 'Bojangles' Robinson in Brown Buddies, on Broadway, 1930

Harlem Renaissance

The Harlem Renaissance was a cultural, social, and artistic explosion centered in Harlem, New York City, spanning the 1920s. During the time, it was known as the "New Negro Movement," named after the 1925 anthology The New Negro edited by Alain Locke. The movement also included the new African American cultural expressions across the urban areas in the Northeast and Midwest United States affected by the Great Migration, in which millions of African Americans escaped the oppressive economic conditions of the South. This period is considered a golden age in African American culture, manifesting in literature, music, stage performance, and art.

Background[edit | edit source]

The Harlem Renaissance was a part of the larger Roaring Twenties, a period of significant social and cultural change in the United States. Harlem became a cultural center, drawing black writers, artists, musicians, photographers, poets, and scholars. Many had come from the South, fleeing its oppressive caste system in order to find a place where they could freely express their talents. Among these were such influential figures as Langston Hughes, Zora Neale Hurston, Claude McKay, Nella Larsen, and Louis Armstrong, who all played pivotal roles in the development and spread of the Harlem Renaissance.

Literature[edit | edit source]

Literature during the Harlem Renaissance sought to break free from the grip of racial prejudice and showcase the voices and experiences of African Americans. Langston Hughes' poetry and Zora Neale Hurston's novels are among the most celebrated works of the era, exploring themes of racial identity, pride, and the quest for social justice. The movement's literature was characterized by a distinct break from the past, focusing on a future where African Americans could find their place in the American tapestry.

Music[edit | edit source]

Jazz and blues music became the hallmark of the Harlem Renaissance, with artists like Louis Armstrong, Duke Ellington, and Bessie Smith bringing new sounds to the forefront of American music. These genres, rooted in African American experiences, spoke to the struggles and triumphs of life, influencing generations of musicians to come. Harlem's Cotton Club and Apollo Theater were among the key venues that showcased these musical innovations.

Art and Photography[edit | edit source]

Visual art and photography also flourished during the Harlem Renaissance. Artists like Aaron Douglas and Jacob Lawrence depicted African American life, blending African motifs with the energy and dynamism of the modern age. Photographers such as James Van Der Zee captured the sophistication and vibrancy of Harlem life, providing a visual documentary of the era.

Impact and Legacy[edit | edit source]

The Harlem Renaissance had a profound impact not only on African American culture but on the culture of the United States as a whole. It challenged the prevailing racial stereotypes and discrimination, paving the way for future civil rights movements. The artistic and cultural output of this period continues to influence artists, musicians, and writers. The Harlem Renaissance laid the groundwork for the Civil Rights Movement of the 1950s and 1960s, marking a significant moment in the history of African American emancipation and artistic expression.

Contributors: Prab R. Tumpati, MD