Improper Channels
Improper Channels is a Canadian comedy film released in 1981, directed by Eric Till and starring Alan Arkin and Mariette Hartley. The film explores themes of bureaucratic incompetence and the challenges of the child welfare system, presented in a comedic light. It was nominated for several Genie Awards, highlighting its significance in the Canadian film industry.
Plot[edit | edit source]
The story revolves around a loving but unconventional father, Jeffrey Martley (played by Alan Arkin), who finds himself entangled in a nightmarish web of bureaucracy when his daughter is mistakenly taken into protective custody. The film humorously depicts Martley's struggles to navigate through the complex and often absurd procedures of the child welfare system to get his daughter back. Alongside, Mariette Hartley plays the role of Diana Martley, Jeffrey's wife, who joins him in this chaotic journey. The narrative cleverly critiques the inefficiencies and rigidities of governmental institutions, while also touching on the themes of parental love, resilience, and the lengths to which a parent will go to protect their child.
Cast[edit | edit source]
- Alan Arkin as Jeffrey Martley
- Mariette Hartley as Diana Martley
- Monica Parker as Miss O'Hara
- Harry Ditson as Fred
- Sarah Stevens as Nancy Martley
Production[edit | edit source]
Improper Channels was filmed in Canada, contributing to its authentic portrayal of the Canadian social and bureaucratic landscape. Directed by Eric Till, known for his ability to blend humor with serious social commentary, the film leverages its strong cast and sharp script to engage and entertain the audience, while also making them think.
Reception[edit | edit source]
Upon its release, Improper Channels received mixed to positive reviews from critics, who praised its witty script and the performances of its lead actors, particularly Alan Arkin. The film's ability to address a serious issue like child welfare through the lens of comedy was noted as a strong point. It also resonated well with audiences, who appreciated its humor and the relatable frustrations of dealing with bureaucracy.
Awards and Nominations[edit | edit source]
The film was recognized at the Genie Awards, Canada's premier film awards, highlighting its impact and quality. Although it did not win in the major categories, its nominations underscored its significance within the Canadian film landscape and its success in blending comedy with social critique.
Legacy[edit | edit source]
Improper Channels remains a notable entry in the Canadian film canon, remembered for its unique approach to storytelling and its commentary on societal issues. It stands as a testament to the versatility of comedy as a genre to not only entertain but also to provoke thought and discussion about the workings of society and government.
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