Louis Wain
Louis Wain (5 August 1860 – 4 July 1939) was an English artist known for his drawings, which consistently featured anthropomorphized large-eyed cats and kittens. His work has a significant place in the Victorian and Edwardian art scenes, reflecting a peculiar blend of whimsy, satire, and anthropomorphic elegance. Wain's cats are not just animals; they play golf, smoke, play cards, and engage in human activities, making them beloved figures in the art world and beyond.
Early Life[edit | edit source]
Louis Wain was born in Clerkenwell, London, in 1860, the first of six children. His father was a textile trader and his mother designed rugs and carpets. Wain was educated at the West London School of Art and initially worked as a teacher there. His career as an artist began when he started to contribute illustrations to the Illustrated Sporting and Dramatic News, and later, his work was published in the Illustrated London News, showcasing his talent in capturing animal movements and characteristics.
Career[edit | edit source]
Wain's career took a significant turn when he adopted a stray kitten with his wife, Emily Richardson, which they named Peter. This pet became the inspiration for a series of cat illustrations that Wain submitted to the Illustrated London News. The illustrations were a hit, leading to a long and prolific career of creating cat-related artwork. Wain's cats were not typical; they walked on two legs, wore contemporary clothes, and engaged in human activities, making them particularly appealing to the public and publishers.
Throughout his life, Wain produced a vast amount of artwork, including postcards, children's books, and annuals. He was involved with several animal charities and was also the chairman of the National Cat Club. Despite his success, Wain faced financial difficulties later in life, partly due to his lack of business acumen and the exploitation by unscrupulous dealers.
Mental Health[edit | edit source]
In 1924, Wain was certified insane and admitted to a mental hospital in Tooting. His mental health had been deteriorating, and there has been much speculation about the nature of his condition, with some suggesting schizophrenia. During his time in the hospital, Wain continued to produce drawings, which some have interpreted as reflecting his mental state. The art community and several high-profile figures campaigned for better care and accommodation, leading to his transfer to Bethlem Royal Hospital and later to Napsbury Hospital, where he spent the remainder of his life.
Legacy[edit | edit source]
Louis Wain's work has been celebrated for its influence on the popularization of the cat as a subject of art. His unique style and the anthropomorphic portrayal of cats have made his work iconic. Wain's art is seen as a precursor to the modern fascination with cat imagery and internet cat culture. His life and work have been the subject of various exhibitions, books, and a biographical film, highlighting his contribution to art and the enduring appeal of his feline subjects.
Death[edit | edit source]
Louis Wain died on 4 July 1939, in Napsbury Hospital, leaving behind a legacy that has continued to grow. His work remains popular among collectors and cat enthusiasts, celebrated for its charm, wit, and the unique insight into the human-animal relationship.
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