Sămănătorul

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Samanatorul - Coperta - 6 octombrie 1907

Sămănătorul (The Sower) was a Romanian literary magazine, which played a pivotal role in the development of the nationalist and traditionalist currents in Romania's cultural and literary life in the early 20th century. Founded by George Coșbuc and Alexandru Vlahuță in 1901, it became a platform for the promotion of Romanian folklore, rural life, and the peasant class as the foundation of the Romanian nation. The magazine's name, Sămănătorul, symbolizes the act of sowing seeds, metaphorically representing the magazine's aim to sow the seeds of national consciousness and cultural revival among Romanians.

History[edit | edit source]

Sămănătorul emerged in a period marked by the intellectual and cultural awakening in Romania, following the country's gaining of independence in 1877. It sought to counteract the influences of Western European modernism and cosmopolitanism, which were seen by the magazine's contributors as threats to the Romanian national identity. Under the editorship of Nicolae Iorga, who took over in 1904, the magazine intensified its nationalist rhetoric, advocating for a return to traditional values, the importance of the Orthodox Church in Romanian life, and the preservation of the Romanian language and customs.

The magazine published works by many prominent Romanian writers and poets of the time, including Octavian Goga, Ion Agârbiceanu, and George Coșbuc himself, who were collectively known as the Sămănătorists. Their literary works, characterized by a deep reverence for the countryside and the peasant way of life, contributed significantly to the shaping of Romanian national identity and cultural heritage.

Ideology[edit | edit source]

The ideology of Sămănătorul was rooted in agrarianism and populism, emphasizing the moral and spiritual superiority of the rural over the urban, and the peasant over the bourgeois. It advocated for the preservation of the Romanian peasantry, which it considered to be the purest repository of the nation's traditions and values. This stance was part of a broader Romantic nationalism that glorified the past and sought inspiration in folk traditions and the natural landscape.

Impact and Legacy[edit | edit source]

The influence of Sămănătorul extended beyond the literary field, contributing to the rise of nationalist thought in Romanian politics and society. Its emphasis on rural life and traditions influenced the development of Romanian ethnography, folklore studies, and history. However, the magazine's conservative and nationalist ideology also attracted criticism, particularly from the modernist and avant-garde movements in Romania, which emerged in opposition to the traditionalist values espoused by the Sămănătorists.

After its closure in 1905, the ideas and values promoted by Sămănătorul continued to resonate in Romanian cultural and political life, particularly during the interwar period, through movements such as Gândirea, which carried forward the magazine's legacy of promoting Romanian national identity and cultural heritage.

See Also[edit | edit source]

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Contributors: Prab R. Tumpati, MD