SESAC

From WikiMD's Food, Medicine & Wellness Encyclopedia

SESAC is an American-based music rights organization that administers public performance, mechanical, and other rights related to music. Founded in 1930, SESAC originally stood for the Society of European Stage Authors & Composers. Unlike its counterparts ASCAP (American Society of Composers, Authors, and Publishers) and BMI (Broadcast Music, Inc.), SESAC is a for-profit organization that operates on a selective membership model, meaning that artists and composers are invited to join.

History[edit | edit source]

SESAC was founded in 1930 to serve European composers not adequately represented in the United States. Over the years, it expanded its services to include American music creators across a variety of genres, including pop, rock, Latin, country, and classical music. SESAC prides itself on its ability to offer individualized attention to its affiliates, a characteristic attributed to its smaller, selective roster.

In the late 20th and early 21st centuries, SESAC expanded its operations to include not just performance rights, but also mechanical rights through the acquisition of the Harry Fox Agency, a major mechanical rights organization in the United States. This expansion allows SESAC to offer a more comprehensive suite of services to its members, including licensing, royalty collection, and distribution for all types of music rights.

Business Model[edit | edit source]

SESAC's business model is unique among the major music rights organizations in the United States. It operates on an invitation-only basis, which allows for a more personalized relationship with its members. SESAC directly negotiates licenses and fees with music users, such as television and radio stations, online music services, and venues, on behalf of its members. The fees collected are then distributed to its members as royalties, after deducting operating expenses.

SESAC's model allows for more efficient royalty collection and distribution, and it claims to offer higher royalty rates and more frequent payments than its competitors. Additionally, SESAC utilizes advanced technology for tracking music usage, ensuring that its members are compensated for the use of their work.

Affiliates and Catalog[edit | edit source]

SESAC represents a diverse array of artists, songwriters, and composers, including well-known names in various music genres. The organization's catalog is vast, encompassing a wide range of music from contemporary hits to classical compositions. SESAC's selective approach to membership means that it represents a curated list of affiliates, which it believes leads to more effective representation and advocacy for its members' rights.

Controversies and Criticisms[edit | edit source]

Like all music rights organizations, SESAC has faced its share of controversies and criticisms. Some critics argue that its for-profit model and selective membership can create barriers to entry for emerging artists and composers. Others have raised concerns about transparency and the equitable distribution of royalties. However, SESAC maintains that its model allows for better service and advocacy for its members.

Conclusion[edit | edit source]

SESAC plays a vital role in the music industry, offering a unique approach to rights management and advocacy for its members. Its selective membership model, comprehensive suite of services, and commitment to technology and efficiency make it a significant player among music rights organizations. As the music industry continues to evolve, SESAC's role in supporting artists and composers remains crucial.

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Contributors: Prab R. Tumpati, MD