Shirley Thompson vs. the Aliens

Shirley Thompson vs. the Aliens is a 1972 Australian film directed by Jim Sharman, notable for being one of the earliest examples of the science fiction genre in Australian cinema. The movie blends elements of science fiction with comedy and surrealism, marking a distinctive entry in the filmography of Jim Sharman, who would later gain international fame as the director of The Rocky Horror Picture Show.

Plot

The film follows the adventures of Shirley Thompson, a young woman living in Sydney during the late 1960s. After witnessing a UFO sighting, Shirley becomes embroiled in a bizarre and humorous battle against alien invaders. The narrative is characterized by its whimsical and eccentric approach, incorporating various elements of pop culture, psychedelia, and social commentary on the era it depicts.

Production

Shirley Thompson vs. the Aliens was produced during a time when the Australian film industry was undergoing significant changes, with the revival of the industry and the emergence of a new wave of filmmakers. Jim Sharman, primarily known for his work in theatre, brought a unique visual and narrative style to the project, combining his theatrical experience with cinematic techniques. The film's production design and costumes reflect the psychedelic influence of the time, contributing to its distinctive aesthetic.

Reception

Upon its release, Shirley Thompson vs. the Aliens received mixed reviews. Critics praised its originality, humor, and innovative use of visuals, but some audiences found its unconventional narrative and style perplexing. Over the years, however, the film has gained a cult following, appreciated for its creativity, audacity, and its place in the history of Australian cinema.

Legacy

The film is considered a pioneer in the Australian science fiction genre, influencing subsequent films in the genre. It also contributed to the development of a unique Australian cinematic voice, blending local culture with universal themes. Shirley Thompson vs. the Aliens remains an important work in the study of Australian cinema and science fiction, showcasing the early career of Jim Sharman and the innovative spirit of Australian filmmaking in the 1970s.