Stream of consciousness
(Redirected from Stream-of-consciousness)
Stream of consciousness is a narrative mode or method that attempts to capture the flow of thoughts and feelings that pass through the mind. The term was first introduced in psychology before being adopted by literary critics and writers to describe a particular style of writing. This method of narration is characterized by a flow of thoughts and images, often in an unpuncted or disjointed manner, that mimic the natural flow of consciousness in an individual's mind.
Origins and Development[edit | edit source]
The concept of stream of consciousness as a narrative technique is often attributed to the psychologist William James, who introduced the term in his book The Principles of Psychology (1890). James used the term to describe the unbroken flow of perceptions, thoughts, and feelings in the waking mind. Later, the technique was adopted by writers in the early 20th century, notably in the works of Virginia Woolf, James Joyce, and Marcel Proust, who sought to capture the complexity, subtlety, and dynamism of human consciousness.
Characteristics[edit | edit source]
Stream of consciousness writing is marked by various characteristics that distinguish it from more traditional narrative techniques. These include:
- Lack of Punctuation and Syntax: Sentences may be fragmented or run-on, reflecting the way thoughts often flow in the mind.
- Free Association: Ideas, memories, and images may be connected in a nonlinear way, similar to the psychological concept of free association.
- Interior Monologue: The technique often involves a direct presentation of a character's thoughts and feelings, without the mediation of a narrator.
- Temporal Dislocation: The narrative may jump back and forth in time, reflecting the non-linear nature of human memory and thought.
In Literature[edit | edit source]
Stream of consciousness has been employed by numerous authors to various effects. James Joyce's Ulysses (1922) is often cited as a paramount example of this technique, particularly in the "Penelope" episode, which consists of a long, unpunctuated monologue by Molly Bloom. Virginia Woolf's Mrs Dalloway (1925) and To the Lighthouse (1927) also make extensive use of stream of consciousness to explore the inner lives of their characters. Similarly, William Faulkner's The Sound and the Fury (1929) employs stream of consciousness to convey the fragmented and chaotic mental states of its characters.
Criticism and Analysis[edit | edit source]
While stream of consciousness has been praised for its ability to depict the complexities of human thought and emotion, it has also faced criticism. Some readers and critics find the technique challenging to follow due to its lack of structure and coherence. Others argue that it can be overly introspective and fail to engage with the external world. Despite these criticisms, stream of consciousness remains a significant and influential narrative technique in modern and postmodern literature.
See Also[edit | edit source]
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