The Delinquents (1960 film)
The Delinquents | |
---|---|
Directed by | Robert Altman |
Written by | Robert Altman |
Produced by | Robert Altman |
Starring | Tom Laughlin, Peter Miller, Richard Bakalyan |
Cinematography | Joseph C. Brun |
Edited by | Helene Turner |
Music by | Gene Forrell |
Production company | |
Distributed by | United Artists |
Release date | 1960 |
Running time | 72 minutes |
Country | United States |
Language | English |
The Delinquents is a 1960 American drama film directed, produced, and written by Robert Altman. The film stars Tom Laughlin, Peter Miller, and Richard Bakalyan. It was one of the early works of Robert Altman, who would later become a renowned filmmaker.
Plot[edit | edit source]
The film follows the story of Scotty White, played by Tom Laughlin, a young man who becomes involved with a gang of juvenile delinquents. The gang's leader, Cholly, played by Peter Miller, influences Scotty to participate in various criminal activities. As Scotty becomes more entangled in the gang's lifestyle, he struggles with his conscience and the impact of his actions on his family and girlfriend.
Cast[edit | edit source]
- Tom Laughlin as Scotty White
- Peter Miller as Cholly
- Richard Bakalyan as Eddy
- Rosemary Howard as Janice Wilson
- Helen Hawley as Mrs. White
- Mickey Sholdar as Billy White
Production[edit | edit source]
The film was produced by Robert Altman's own production company, The Filmgroup, and distributed by United Artists. It was shot on a modest budget and is notable for its portrayal of teenage rebellion and the influence of peer pressure.
Reception[edit | edit source]
Upon its release, The Delinquents received mixed reviews from critics. Some praised the film for its realistic depiction of juvenile delinquency, while others criticized it for its melodramatic elements. Despite the mixed reviews, the film has gained a cult following over the years and is considered an important early work in Robert Altman's career.
Legacy[edit | edit source]
The Delinquents is often studied in film courses for its early exploration of themes that would become central to Robert Altman's later works, such as social dynamics and the complexity of human relationships. The film also serves as an example of low-budget filmmaking in the late 1950s and early 1960s.
See also[edit | edit source]
References[edit | edit source]
External links[edit | edit source]
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