The Secondman's Middle Stand
The Secondman's Middle Stand is the third solo album by Mike Watt, released in 2004. The album is a concept album that chronicles Watt's near-death experience and recovery from a severe illness.
Background[edit | edit source]
In January 2000, Mike Watt was diagnosed with a severe infection that led to an abscess in his perineum. This life-threatening condition required emergency surgery and a long period of recovery. During his convalescence, Watt began to conceptualize and write the material that would eventually become The Secondman's Middle Stand.
Concept and Themes[edit | edit source]
The album is structured as a three-part narrative, reflecting Watt's journey through illness, surgery, and recovery. The three parts are:
- Hell - Representing the initial suffering and the severity of his condition.
- Purgatory - Depicting the surgery and the uncertain period of recovery.
- Heaven - Symbolizing his eventual recovery and return to health.
Track Listing[edit | edit source]
The album consists of nine tracks, divided into the three thematic sections:
- "Boilin' Blazes" (Hell)
- "Puked to High Heaven" (Hell)
- "Burstedman" (Hell)
- "Tied a Reed 'Round My Waist" (Purgatory)
- "Pissbags and Tubing" (Purgatory)
- "Beltsandedman" (Purgatory)
- "The Angels Gate" (Heaven)
- "Pluckin', Pedalin' and Paddlin'" (Heaven)
- "Pelicanman" (Heaven)
Personnel[edit | edit source]
Recording and Production[edit | edit source]
The album was recorded at Sage and Sound Recording in Hollywood, California. Watt produced the album himself, ensuring that the raw and personal nature of the material was preserved.
Reception[edit | edit source]
The Secondman's Middle Stand received positive reviews from critics, who praised its raw honesty and the powerful narrative of Watt's ordeal. The album is considered a significant work in Watt's discography, showcasing his resilience and creativity in the face of adversity.
Legacy[edit | edit source]
The album has been influential in the punk and alternative rock scenes, demonstrating the potential for deeply personal experiences to be translated into compelling music. It remains a testament to Mike Watt's enduring spirit and artistic vision.
See Also[edit | edit source]
References[edit | edit source]
External Links[edit | edit source]
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Contributors: Prab R. Tumpati, MD