Townley Antinous

Antinoos Janiculum BM 1805.07-03.97

Townley Antinous is a renowned sculpture of Antinous, the beloved companion of the Roman Emperor Hadrian. This artifact is part of the British Museum's collection in London, having been acquired in the 18th century by Charles Townley, from whom it derives its name. The Townley Antinous is a significant piece of ancient Roman art, showcasing the idealized beauty and the cultural importance of Antinous in Roman society.

Description

The Townley Antinous is a marble statue standing at approximately life-size, depicting Antinous in a classical pose. The sculpture portrays him as an epitome of youthful male beauty, which was greatly admired in ancient Rome. The figure is often noted for its detailed craftsmanship, capturing the physical attributes and serene demeanor of Antinous. The exact date of creation is uncertain, but it is believed to have been sculpted shortly after Antinous's death in 130 AD.

Historical Context

Antinous was a young Greek from Bithynia who became the favorite of Emperor Hadrian. His sudden death in 130 AD under mysterious circumstances led Hadrian to deify him, a rare honor for someone of his status. This deification led to the creation of numerous sculptures and coins bearing his likeness, spreading his cult throughout the Roman Empire. The Townley Antinous is one of the many sculptures created in his honor, serving both as a memorial and a symbol of Hadrian's grief and love.

Acquisition by Charles Townley

The statue was acquired by Charles Townley, a noted 18th-century British collector of classical antiquities, during his travels in Italy. Townley's collection, including the Antinous sculpture, was purchased by the British government in 1805 and subsequently became part of the British Museum's collection. The acquisition of the Townley Antinous and other classical sculptures played a crucial role in the development of neoclassical art and architecture in Britain.

Significance

The Townley Antinous is an important artifact for the study of Roman sculpture, offering insights into the techniques and aesthetic values of the time. It also provides a window into the personal life of Emperor Hadrian and the cult of Antinous, reflecting the broader cultural and religious practices of the Roman Empire. The sculpture is a key piece in understanding the intersection of art, politics, and personal relationships in ancient Rome.

See Also

• Hadrian
• Antinous
• Roman sculpture
• British Museum
• Charles Townley