White's illusion
White's illusion is an optical illusion first described by Michael White in 1979. This visual phenomenon illustrates how the perception of brightness within an object can be influenced by its surrounding context, challenging traditional theories of lightness perception which suggest that an object's brightness is perceived relative to the mean luminance of the entire scene.
Description[edit | edit source]
White's illusion consists of a display where two identical gray bars are placed over a background composed of alternating black and white stripes. One gray bar is placed across the black stripes, and the other is placed across the white stripes. Despite both gray bars being of the same luminance, the bar on the black stripes appears lighter than the bar on the white stripes. This effect contradicts the simultaneous contrast effect, where an object appears darker against a light background and lighter against a dark background.
Mechanism[edit | edit source]
The exact mechanism behind White's illusion is still a subject of research and debate. However, several theories have been proposed to explain it. One prominent theory suggests that the illusion is due to the way the visual system processes the edges and the integration of local contrast signals, rather than the global processing of the scene. This local edge integration theory posits that the visual system is more influenced by the immediate contrast between the bars and the stripes they overlap, rather than the overall contrast of the scene.
Another theory, related to the Munker-White illusion, suggests that the perceptual grouping and segregation of the bars from the background play a significant role. According to this theory, the brain's interpretation of which elements belong together in a scene can affect how we perceive the brightness of those elements.
Implications[edit | edit source]
White's illusion has significant implications for our understanding of visual perception, particularly in the areas of brightness and contrast perception. It challenges the traditional models that rely heavily on global processing and suggests that local factors and the brain's interpretation of scene elements can significantly influence our perception. This has applications in various fields, including psychology, neuroscience, and visual arts, where understanding how humans perceive brightness and contrast can inform practices ranging from art creation to the design of visual displays.
See Also[edit | edit source]
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Contributors: Prab R. Tumpati, MD