Death Nurse 2

DeathNurse2DVD

Death Nurse 2 is a 1988 American horror film directed by Nick Millard, also known by the pseudonym Nick Philips. It is a sequel to the 1987 film Death Nurse. The film stars Priscilla Alden as Edith Mortley, a nurse who, along with her brother Dr. Gordon Mortley (played by Albert Eskinazi), runs a fraudulent clinic where they murder their patients for profit. The film continues the story from the first installment, showcasing the Mortley siblings' further descent into murder and mayhem.

Plot

Death Nurse 2 picks up shortly after the events of the first film. Edith and Gordon Mortley continue to operate their Shady Palms Clinic, a front for their nefarious activities. They lure patients into their care, only to kill them and collect their social security checks. The film introduces new victims and delves deeper into the twisted psyche of the sibling duo. As their body count rises, so does the suspicion of authorities, leading to a climactic confrontation.

Cast

• Priscilla Alden as Edith Mortley
• Albert Eskinazi as Dr. Gordon Mortley
• Nick Millard as Various Roles

Production

Death Nurse 2 was produced by IRMI Films, a company known for low-budget, direct-to-video releases. The film was shot on a shoestring budget, utilizing minimal sets and a small cast, many of whom took on multiple roles. Director Nick Millard reused footage from the first film to pad out the sequel, a common practice in low-budget filmmaking to save on production costs.

Reception

Like its predecessor, Death Nurse 2 has garnered a cult following among fans of B-movies and exploitation films. Its low-budget production values, over-the-top performances, and absurd plot have been both criticized and celebrated. The film is often discussed in the context of so-bad-it's-good cinema, with particular attention to Priscilla Alden's portrayal of the murderous nurse.

Legacy

Despite its obscurity and limited availability, Death Nurse 2 has maintained a presence among horror and exploitation film enthusiasts. It is frequently featured in discussions and retrospectives of 1980s horror cinema, particularly those focusing on the direct-to-video market. The film's enduring appeal lies in its status as a quintessential example of low-budget horror filmmaking from the era.