Medieval music

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Troubadours berlin
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Master of the Brussels Initials and Associates (French) - Hours of Charles the Noble, King of Navarre (1361-1425), fol. 325r, Text - 1964.40.325.a - Cleveland Museum of Art cropped
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David, Musée du Louvre Objets d'art MR 370
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Gregorian Chant Kyrie
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Perotin - Alleluia nativitas

Medieval music encompasses the music of the Middle Ages, a period in European history typically considered to span from the fall of the Roman Empire around 476 AD to the beginning of the Renaissance period in the 14th century. Medieval music is a vast field that includes both sacred and secular genres, and it played a significant role in the cultural and religious life of the era.

History and Development[edit | edit source]

The development of medieval music can be divided into several periods, each characterized by specific forms, practices, and innovations. The Early Middle Ages (500–1000 AD) saw the predominance of Gregorian Chant, a form of plainchant or plainsong that was standardized across the Western Church to unify the liturgy. Named after Pope Gregory I, who was traditionally credited with its compilation, Gregorian Chant laid the foundation for Western music theory and practice.

The High Middle Ages (1000–1300 AD) witnessed the emergence of polyphony, a texture consisting of two or more independent melodic voices. This period saw the development of the Notre Dame school of polyphony, which produced the earliest known composers of polyphonic music, such as Léonin and Pérotin. The notation of rhythm also began during this time with the advent of the rhythmic modes.

The Late Middle Ages (1300–1400 AD) saw further innovations in musical composition and notation. The Ars Nova in France and the Ars Subtilior in other parts of Europe introduced more complex rhythmic structures and a greater use of dissonance. Composers like Guillaume de Machaut and Philippe de Vitry were prominent figures of this era.

Genres and Forms[edit | edit source]

Medieval music encompassed a wide range of genres and forms, both sacred and secular. Sacred music was primarily composed for the church and included forms such as the Mass, the motet, and the conductus. Secular music, on the other hand, was made for various social functions and included troubadour and trouvère songs, minnesang, and instrumental dances.

Instruments[edit | edit source]

A variety of musical instruments were used in medieval music, including stringed instruments like the lute, harp, and fiddle; wind instruments such as the flute, shawm, and bagpipe; and percussion instruments like the tabor and bells. Many of these instruments have evolved into modern forms still in use today.

Notation[edit | edit source]

The notation of medieval music evolved significantly over the period. Early notations were neumatic, indicating pitch direction but not specific pitches or rhythms. Later, the development of staff notation and the use of neumes placed on lines or spaces indicated precise pitches. The introduction of measured rhythm in the Ars Nova period was a significant advancement, allowing for more complex and precise musical compositions.

Legacy[edit | edit source]

Medieval music has had a lasting impact on the development of Western music. Its innovations in musical notation, theory, and composition laid the groundwork for the music of the Renaissance and beyond. Today, medieval music is studied and performed by both scholars and early music ensembles, bringing the sounds of the Middle Ages to contemporary audiences.

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Contributors: Prab R. Tumpati, MD