Megaera
Megaera is one of the Erinyes, also known as the Furies, in Greek mythology. She is often depicted as a goddess of vengeance, representing the anger of the dead. The Erinyes are a trio of goddesses, with Megaera's sisters being Alecto and Tisiphone. These deities are known for pursuing people who have committed crimes against the natural order, particularly those who have sworn false oaths or have committed acts of murder, especially familial murder.
Mythology[edit | edit source]
According to myth, the Erinyes were born from the blood of Uranus when he was castrated by his son, Cronus. They reside in the underworld and are often described as winged women with serpents entwined in their hair, a depiction that emphasizes their terrifying nature and role as avengers. Megaera, whose name means "jealous" or "grudging," is specifically associated with punishing crimes of infidelity, jealousy, and envy.
The Erinyes are particularly noted for their role in the story of Orestes, who was pursued by them after he avenged his father Agamemnon's death by killing his mother Clytemnestra. The relentless pursuit by the Furies of Orestes, driven by Megaera and her sisters, highlights their role in maintaining the moral order by ensuring that crimes do not go unpunished.
Cult and Worship[edit | edit source]
Unlike many deities in Greek mythology, the Erinyes, including Megaera, did not have a widespread cult or many temples dedicated to them. Their worship was more about appeasement than adoration, with rituals often aimed at averting their wrath rather than inviting their favor. This is reflective of their fearsome reputation and the dread with which they were regarded by the ancient Greeks.
In Literature and Art[edit | edit source]
Megaera, along with her sisters, has been a subject of fascination in literature and art throughout the ages. In ancient Greek plays, such as those by Aeschylus and Euripides, the Erinyes are depicted as relentless and fearsome forces of nature. In later periods, they were often portrayed in a more sympathetic light, as in Goethe's "Faust," where their role as agents of divine justice is emphasized.
Modern Interpretations[edit | edit source]
In modern times, Megaera and the Erinyes have been interpreted in various ways, often as symbols of the psychological consequences of guilt and the inescapability of justice. They appear in various forms of media, including literature, movies, and video games, where they are often adapted to fit contemporary narratives while still retaining their core attributes of vengeance and justice.
See Also[edit | edit source]
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