Raoul Duke

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Fictional character

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Raoul Duke is a fictional character and the protagonist in Hunter S. Thompson's novel Fear and Loathing in Las Vegas. Duke is a semi-autobiographical character, often considered a gonzo journalism alter ego of Thompson himself. The character is known for his wild, drug-fueled adventures and his cynical, satirical view of American society.

Character Overview[edit | edit source]

Raoul Duke is depicted as a journalist who embarks on a journey to Las Vegas with his attorney, Dr. Gonzo, to cover a motorcycle race for a magazine. The trip quickly devolves into a chaotic exploration of the American Dream, fueled by a vast array of drugs and alcohol. Duke's narrative is characterized by his hallucinatory experiences and his critical observations of the culture and politics of the 1970s.

Literary Significance[edit | edit source]

Raoul Duke is a central figure in the genre of gonzo journalism, a style of journalism that blends factual reporting with fictional elements and personal narrative. This style was pioneered by Thompson, and Duke serves as a vehicle for Thompson's commentary on society. The character's adventures in Fear and Loathing in Las Vegas are emblematic of the countercultural movements of the 1960s and 1970s, reflecting the disillusionment and hedonism of the era.

Cultural Impact[edit | edit source]

Raoul Duke has become an iconic figure in American literature and popular culture. The character was famously portrayed by Johnny Depp in the 1998 film adaptation of Fear and Loathing in Las Vegas, directed by Terry Gilliam. Depp's portrayal further cemented Duke's status as a symbol of the counterculture and the excesses of the American Dream.

Themes[edit | edit source]

The character of Raoul Duke explores several themes, including:

  • The American Dream: Duke's journey is a satirical examination of the American Dream, highlighting its contradictions and the disillusionment of the 1970s.
  • Drug Culture: Duke's extensive drug use is a central element of the narrative, serving as both a literal and metaphorical lens through which he views the world.
  • Counterculture: Duke embodies the spirit of the countercultural movements, challenging societal norms and authority.

Also see[edit | edit source]


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