Schweigt stille, plaudert nicht, BWV 211

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Zimmermannsches Caffeehaus

Schweigt stille, plaudert nicht, BWV 211, also known as the Coffee Cantata, is a secular cantata composed by Johann Sebastian Bach. It is one of Bach's most famous and amusing works, showcasing a lighter, more humorous side of the composer. The piece is often performed in concert settings and has enjoyed popularity beyond the realm of classical music enthusiasts.

Background[edit | edit source]

The Coffee Cantata was likely composed in the 1730s, a period during which Bach was deeply involved with the Collegium Musicum, a music society in Leipzig that performed at Zimmermann's Coffee House. The text of the cantata, written by Christian Friedrich Henrici, known as Picander, humorously addresses the coffee craze that was sweeping across Europe at the time.

Plot[edit | edit source]

The narrative of BWV 211 revolves around a father, Schlendrian, and his daughter, Lieschen, who is addicted to drinking coffee. Schlendrian tries various methods to persuade his daughter to give up her coffee habit, including offering her the promise of marriage. Lieschen cleverly agrees but only under the condition that her future husband allows her to continue drinking coffee. The cantata ends with a humorous twist, celebrating the joy of drinking coffee.

Music[edit | edit source]

The music of Schweigt stille, plaudert nicht is written for a small ensemble, typically consisting of a soprano, tenor, and bass soloists, along with a chamber orchestra of strings and continuo. The cantata contains a mix of recitatives, arias, and a final trio, showcasing Bach's skill in setting the comic text to music that is both engaging and expressive.

Reception and Legacy[edit | edit source]

The Coffee Cantata remains one of Bach's most beloved secular works. Its light-hearted approach to the subject matter and the engaging music have made it a favorite among audiences and performers alike. The piece is often cited as an example of Bach's versatility as a composer, capable of mastering both sacred and secular forms with equal skill.

Performances[edit | edit source]

Today, Schweigt stille, plaudert nicht, BWV 211 is frequently performed by baroque ensembles and has been recorded numerous times. Its popularity has led to various arrangements and adaptations, further cementing its place in the repertoire of classical music.

See Also[edit | edit source]

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Contributors: Prab R. Tumpati, MD