Twice Round the Daffodils

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Twice Round the Daffodils is a British comedy film released in 1962, directed by Gerald Thomas and produced by Peter Rogers. The screenplay, written by Norman Hudis, is loosely based on the play Ring for Catty by Patrick Cargill and Jack Beale. The film is often noted for its similarities to the Carry On series, sharing the same director, producer, and several cast members. It is set in a hospital and revolves around the comedic antics of the patients and staff.

Plot[edit | edit source]

Twice Round the Daffodils tells the story of a group of male patients in a tuberculosis sanatorium. The narrative focuses on their interactions, the friendships they form, and the humorous situations they find themselves in as they adjust to hospital life. The patients, each with their unique personality and backstory, come together to support one another, often leading to comedic yet heartwarming scenarios. The film explores themes of camaraderie, resilience, and the human spirit in the face of adversity.

Cast[edit | edit source]

The film features an ensemble cast including Kenneth Williams, Joan Sims, Donald Sinden, and Leslie Phillips, among others. Many of these actors were regulars in the Carry On series, contributing to the film's comedic style and appeal.

Production[edit | edit source]

The production of Twice Round the Daffodils was marked by its tight-knit cast and crew, many of whom had previously worked together on the Carry On films. This familiarity allowed for a smooth filming process and contributed to the film's cohesive comedic style. The screenplay adaptation by Norman Hudis from the play Ring for Catty maintained the original's humor while adapting it for a broader cinematic audience.

Reception[edit | edit source]

Upon its release, Twice Round the Daffodils received mixed reviews. Critics praised the performances of the cast and the film's ability to blend humor with more serious themes. However, some noted that it lacked the edginess and spontaneity of the Carry On series. Despite this, the film has gained a following over the years, appreciated for its charm, wit, and the warm performances of its leading actors.

Legacy[edit | edit source]

While Twice Round the Daffodils may not have achieved the iconic status of the Carry On series, it remains a notable entry in the British comedy genre of the early 1960s. Its portrayal of hospital life, combined with the comedic talents of its cast, offers a unique and entertaining perspective on the human condition. The film is often revisited for its nostalgic value and its place in the history of British cinema.


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Contributors: Prab R. Tumpati, MD