Food of the Gods II

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Food of the Gods II is a 1989 science fiction horror film directed by Damian Lee. It is a loose sequel to the 1976 film The Food of the Gods, which was based on the H.G. Wells novel The Food of the Gods and How It Came to Earth. Unlike its predecessor, which took a more serious tone, Food of the Gods II leans towards a campier style, incorporating elements of black humor and over-the-top gore. The film is also known by its alternative title, Gnaw: Food of the Gods II.

Plot[edit | edit source]

The story revolves around Dr. Neil Hamilton, a geneticist working on a growth hormone intended to end world hunger by enlarging plants and animals. However, when the hormone is tested on a lab rat, it grows to a monstrous size and escapes, causing havoc. The situation worsens when a group of activists break into the lab and accidentally release more treated animals. Meanwhile, Dr. Hamilton injects his terminally ill friend with the hormone, leading to unforeseen and terrifying consequences.

Cast[edit | edit source]

Production[edit | edit source]

The film was produced by Concorde Pictures, a company owned by Roger Corman, known for producing low-budget films that often gained cult status. Food of the Gods II was shot in Canada, utilizing the country's cost-effective production environment to keep the budget low. Despite its connection to the original film, it shares little in terms of plot or characters, instead opting for a more self-contained story.

Reception[edit | edit source]

Food of the Gods II received mixed to negative reviews from critics, who often cited its poor special effects, campy acting, and deviation from the source material as major drawbacks. However, it has garnered a cult following over the years, with fans appreciating its B-movie charm, humor, and creative, albeit low-budget, creature effects.

Legacy[edit | edit source]

While not a commercial success, Food of the Gods II has found a place in the pantheon of cult horror films. It is often discussed in the context of 1980s horror cinema and is considered a quintessential example of the era's low-budget horror sequels. The film's unique blend of science fiction and horror, combined with its campy execution, continues to attract new fans and is frequently screened at film festivals dedicated to cult and horror films.

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Contributors: Prab R. Tumpati, MD