Pince-nez
Pince-nez (pronounced "pans-ney") are a style of eyewear that were popular in the late 19th and early 20th centuries. The term "pince-nez" comes from the French words "pincer," meaning "to pinch," and "nez," meaning "nose." Unlike modern spectacles, pince-nez do not have earpieces; instead, they are held in place by pinching the bridge of the nose.
History[edit | edit source]
Pince-nez became fashionable in the 19th century, particularly among intellectuals and the upper classes. They were often associated with scholars, politicians, and other professionals. The design was practical for those who needed to frequently put on and take off their glasses, as they could be easily clipped to the nose and removed without the need for earpieces.
Design and Variations[edit | edit source]
Pince-nez come in several variations, including the "C-bridge," "hard bridge," and "spring bridge" designs. The C-bridge style features a curved bridge that fits snugly against the nose, while the hard bridge has a solid, often metal, bridge. The spring bridge design incorporates a spring mechanism that allows the glasses to grip the nose more securely.
Materials used in the construction of pince-nez include metal, bone, and tortoiseshell. The lenses were typically round or oval, and the frames could be quite ornate, reflecting the fashion of the time.
Cultural Significance[edit | edit source]
Pince-nez were often seen as a symbol of sophistication and intelligence. They were worn by many notable figures, including Theodore Roosevelt, Anton Chekhov, and Mahatma Gandhi. In literature and film, characters wearing pince-nez are often portrayed as intellectuals or authority figures.
Decline in Popularity[edit | edit source]
The popularity of pince-nez began to decline in the early 20th century as more comfortable and practical eyewear designs, such as the modern spectacles with earpieces, became available. Despite this, pince-nez remain a symbol of a bygone era and are sometimes used in period films and theatrical productions to evoke the style of the late 19th and early 20th centuries.
Also see[edit | edit source]
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